Jump jive and wail louis prima

Jump, Jive an' Wail

jump jive and wail louis prima

Louis Prima Jump Jive An' Wail

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Brian Setzer covered Prima's beloved "Jump, Jive an' Wail" in , the same year that a Gap television commercial set Prima's original to footage of dancing models in khakis. No matter where you turned, it seemed, people were kicking up their heels and flashing jazz hands, all to the tempestuous soundtrack of a bygone era. The Prima-less restoration of the Prima aesthetic was all post-modern artifice posing as cool, and it managed to do the music a disservice, stripping it of a spokesman and redefining it as little more than a fashionable accoutrement. In fact, Prima is a much more complex and, therefore, underrated musical figure, as a new compilation of his booming Capitol years, Jump, Jive an' Wail: The Essential Louis Prima , makes resoundingly clear. Prima was a performer who pulled out all the stops; he gave you your money's worth, then rifled through his bag of genre-jumping musical tricks and gave you more. The concept of a performer who doesn't display a hostile sense of entitlement when confronted with a paying audience is completely foreign today, and yet this is the promise of Prima: you will be entertained, and you will never go hungry.

Jump, Jive, and Wail is probably the only Prima that anyone really needs, but it's a collection that everyone should have. With the sheer amount of material included, it's a CD that seems longer than it's running time, and despite a few clunkers from the end of his career the collection hits the mark splendidly. Prima was at his peak while working in Vegas in the early fifties, helping to usher in that city's reputation as the entertainment capital of the world.
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Jump, Jive, and Wail is probably the only Prima that anyone really needs, but it's a collection that everyone should have. With the sheer amount of material included, it's a CD that seems longer than it's running time, and despite a few clunkers from the end of his career the collection hits the mark splendidly. Prima was at his peak while working in Vegas in the early fifties, helping to usher in that city's reputation as the entertainment capital of the world. Of course the best tracks are those featuring Keely Smith and Sam Butera, the two key ingredients that helped give the band its distinct personality. Smith, who was briefly married to Prima, had a coolly sophisticated voice that contrasted nicely with Prima's raspy enthusiasm, while Butera's tenor sax came straight from the honking jump blues style. Though not technically proficient, he fit in nicely with what Prima was up to.

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Louis Prima: Jump Jive and Wail: The Essential Louis Prima

Jump, Jive, An' Wail

Louis Prima December 7, August 24, was an American singer, actor, songwriter, and trumpeter. Prima rode the musical trends of his time, starting with his seven-piece New Orleans style jazz band in the s, then successively leading a swing combo in the s, a big band in the s, a Vegas lounge act in the s, and a pop-rock band in the s. In each of his musical endeavors, he incorporated his exuberant personality into his act. Forgot your password? Retrieve it. Get promoted.

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Jump, Jive An' Wail

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"Jump, Jive an' Wail" is a jazz swing song by Louis Prima. It first appeared on his album The Wildest! and became one of his signature songs. Keely Smith.
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3 COMMENTS

  1. Sumner V. says:

    Missing lyrics by Louis Prima?

  2. Fraseresin says:

    Jump, Jive An' Wail

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