C jam blues duke ellington and his famous orchestra
Duke Ellington Orchestra - C Jam Blues
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Copyright - JazzStandards. C Jam Blues New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. The complete ensemble carries the tune to its finish with composer Bigard clarinet providing some improvised upper register piping. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.
Added by Canary. C Jam Blues written by Duke Ellington instrumental. Detailed search. Meta Added by Canary. Originals Highlights 3 Versions Adaptations 2 All.
To kick off the inaugural New Orleans Jazz Festival in , impresario George Wein addressed the crowd at Municipal Auditorium: "This particular festival, along with the Newport Folk Festival , has moved me more than any festival I've been involved with. We've struck a chord here in the city, mostly with the performers and the artists. It's something that I think can really develop into one of the major festivals in the world. While the major headliners performed in Municipal Auditorium that first year of the festival, local gospel, blues, zydeco, cajun and jazz bands were showcased outdoors at Beauregard Square renamed Congo Square the following year. Today the whole sprawling enterprise - 12 stages of music spanning a wide stylistic spectrum -- takes place at the Fair Grounds Racetrack and draws crowds upwards of , over two consecutive weekends.
Duke Ellington - C Jam Blues
Oscar Peterson - C Jam Blues
C Jam Blues
Ellington would continue touring with his great orchestra, performing classic tunes from his timeless repertoire up until his death the following year, on May 24, This edition of the Ellington Orchestra comes out strong with "C Jam Blues," a Duke staple written in that features a stellar clarinet solo at the dynamic peak of the tune by longtime band member Russell Procope. Between songs, the ever-elegant Mr. Ellington says to the assembled jazz fans at Nassau Coliseum on Long Island, "You're very beautiful, very sweet, very gracious, very generous, and all the kids in the band want you to know that we do love you madly. A gorgeous rendition of "Sophisticated Lady" serves as a showpiece feature for Ellington's longtime baritone saxophonist Harry Carney, who had been with the band for 44 years at the time of this performance. Along with delivering the poignant melody in robust tones, Carey also delves into his signature circular breathing technique at the end of this familiar piece. Sadly, Carney too would pass away the following year, just four months after Ellington's death.
As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C. A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in , but its origin is not perfectly clear. From Wikipedia, the free encyclopedia. Retrieved 3 April Tiffany Transcriptions page
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